Marnie, speak! Good girl.

I've been doing my crafty thing as well. Here is some left over wool/soy silk roving I've had a little sample of. Since there was such a small amount, I spun it as finely as possible. I used my 0.6 oz Golding spindle which helped me achieve a true lace weight yarn. I knit a little swatch of it last night and got 9 stitches to the inch on a US #1 needle and I certainly could have gone down a needle size without a problem. This stuff spun beautifully. I assume it's the soy that gives it its smooth drafting ability since I still find myself struggling a bit with pure wool.

It's taken me a little while to adapt to my 0.6 oz spindle. I learned on a 1.3 oz, have been using my 0.9 oz for almost everything but I'm now really starting to appreciate this lighter one. I know there are people who can spin spider web thin yarn on a 3 oz spindle and I tip my hat to those folks. I just can't get enough spin into the fiber soon enough to ever be successful. My spindle will have proven its dropping ability long before I get a yard spun. But a light spindle holds its own challenges. I realize it's all simple physics, but it's hard to know exactly how it will feel if you aren't well versed on those sorts of sciences. In my case, I face two big hurdles with a lighter spindle.

1. I have to spin the spindle harder to get a long enough spin to be productive. Or, I have to spin the spindle more than once to spin the same length of yarn.


2. The spindle tends to be less stable in its spin. I suspect this is partially technique on my part, but, while drafting, I sometimes maneuver in such a way as to send my spindle into a planetary like rotation, where the poles no longer sit at a true north/south*. While this works splendidly for our fine earth, it's less effective for a spinner.
   

* Ok, ok, I know that North and South are relative to our own planet and not the least bit relevant once you step off the planet or out of our solar system. Let's think "grade school diorama," for this analogy, ok?

More spindly fun, after the bump.

As I reported before, almost all my knitting has been on my stealth project so I can only entertain you with spinning, for now. I hope that those of you who aren't spinners aren't too bored with it all.

After such success with my soy silk roving worked on my 0.6 oz spindle, I thought I should try it on some of my other roving.

The result is about 52 yards of two ply Lace to DK weight yarn.

More yarn porn after the bump

Not very long ago, Wendy spun up the most beautiful orange roving. You can see it in all its splendor here.

If you swing by my blog, with any regularity, you know that I'm not terribly drawn to warm colors, as a general rule. Blues, greens, and purples dominate over all other colors. It's not that I don't love a wide variety of colors, its just that, given a choice, I stay in my color comfort zone and stick to shades I know look good on me and that I love looking at. But this orange had me smitten. So I headed on over to Nistock Farms, where Wendy had gotten her roving, and I got myself 8 delicious ounces of Autumn Spice.

It arrived last night and I didn't even shed my heels and suit before I was spinning away. We reached the front door at 6pm, by 7:30, I had spun, plied, washed and set to dry 26 yards of handspun.

Since these pictures were taken around 3:30 AM (I'm having me a little bout of insomnia, thanks for asking) there is no proper lighting. I think, all things considered, the pictures are fairly representative of the color overall, but they don't really capture some of the beautiful subtleties of the shade. It's mostly a lovely pumpkin color, with shades of a soft pink, some grey and yellow. The overall effect is amazing.

The wool is definitely not as soft as, say, a merino or alpaca, but I love it and it spins surprisingly easily on my little 0.9 oz spindle.

In addition to the 8ozs of Autumn Spice, I also got myself 4oz of the Fudge Brownie shade you'll find on the same page. I haven't even begun to spin that.

To all of you spinners out there, I'm starting to find myself overflowing with roving. I have absolutely no issues with this. I am wondering, though, what is the best way to store the stuff to avoid any problems with it as it waits for my little spindles to spin it up? It's relatively warm and dry here in LA, though I live within a very short distance of the ocean.

I just love my Autumn Spice Cotswold. I think about spinning it when I'm at work and it's become increasingly hard not to burn dinner while I try to work spinning into my nightly routine.

Here's a bit more of it spun up and plied. Why do I love this yarn so? I don't know. It's not the softest yarn I have, but it's certainly soft enough to be knit into a nice wrap or a cardigan. The little halo of fuzziness delights me. At first I was thrown by it, but now I love it more and more. I pre draft the roving and the yarn just seems to spin itself. It's nearly effortless.

But I also got myself some of the Fudge Brownie roving. This stuff is gorgeous. The color is dark chocolate and the feel is silky, dense and smooth. Fudge Brownie is the perfect name for it. I find it harder to spin though. Instead of long snakes of roving that I can predraft, this tends to want to fall into clumps. It's smooth but the fibers like to grab ahold of each other in unexpected ways so I end up with more thick and thin areas than I'm used to. I tried my 0.9oz and then my 1.3oz spindle. The extra weight seemed to help. I decided to try spinning it a bit thicker than normal, and this is the result.

On top is both of my skeins of Autumn Spice held together in a single skein. You can see that the brown top is much thicker. Spinning thicker yarn is turning out to be challenging for me. I did notice, in the process, that I like the way the yarn looks when it is really tightly spun. It loses some of it's softness but it picks up a sheen that's decadent. I think my next skein will err on the side of overspun, to see what happens.

Here's a close-up of the two yarns. You can see that my brown yarn is not very even.

MJ has been trying to spin more thickly too. A lot of people feel that spinning fine weight yarn is harder than thicker yarn. But I think most people acclimate to spinning a certain weight of yarn and need time to learn to control other weights. It's not a matter of "this weight is good" and "this weight is bad." I'll consider myself a good spinner when I can spin many weights well. For now, I proudly wear my "novice" crown, with my head held high. No shame in it.

There's just one thing that bothers me. Do you hear it? I know I do. I hear the sweet song of the wheel calling me. I'm trying to be strong and, luckily, I do not think I could reasonably justify the cost right now. But that doesn't mean I'm not haunted by the thought of spinning all my gorgeous roving in a couple days instead of needing months to do it. I can't deny that seeing huge skeins of continuous roving, wound off a bobbin, doesn't make me drool a little. I'm counting on a certain friend of mine, to keep me sane. And if I happen to visit this site several times a day, it's only for research purposes.

I'm back to trying to design a shawl with my handspun, and once again, I'm starting from scratch with a new design and new yarn.

For those of you who visit regularly, you are probably well aware of my current fascination with my Autumn Spice Cotswold from Nistock Farms. It will then come as no surprise that I want to actually knit what I've spun.

This is what I have so far.

I like it. So why am I reluctant to post this? Because I'm a bit worried it will go awry, as my previous attempts at a shawl have. I'm not terribly fond of repetitive knitting. I'd much rather work something with an intricate stitch pattern or lots of shaping, than something that's very repetitive. I can manage a scarf or sock, here and there, but it's hard for me to keep my interest. So will this piece ever be anything more than a glimmer in my eye? Time will tell.

Even more questionable, though, is whether or not I'll ever spin enough of the roving with my spindle to have a shawl large enough cover my shoulders. I suspect I’ll need quite a bit once my rows get a bit longer.

More spicy goodness, after the bump

Wednesday was a long day. It wasn't a bad day, but it was long. Leo and I left the house at 5:15 AM, so we could make some early morning work obligations, and we didn't get home till almost 9 PM, because I had a beginner knitting class to teach that evening. That's a long day. But, awaiting me, when I returned home, was a big package with a little surprise inside.

It's a belated birthday present from my step father, a brand new spindle from Golding.

I now have four wonderful spindles in my collection.

From left to right, their weights are:
1.9 ozs, 1.3 ozs, 0.9 ozs, 0.6 ozs

I've been spinning some merino and I think I'm getting a feel for the heavier weight. It's been a nice match and a good chance to practice spinning some thicker gauge yarn, though I have to admit that my left arm gets tired more quickly. I can see myself using this spindle a lot. The larger whorl means I can use it to ply my finer yarns and the weight is a nice match for roving that tends to be grippier (technical term).

Ah, my beautiful new spindle!

One of the reasons I asked for a heavier spindle for my birthday was because I wanted to start spinning different weights of yarn. Of course, any of my lighter spindles can be used to spin chunkier yarn, but I think the extra weight is helpful. So, after practicing with some spare merino, I pulled out my gorgeous olive green Corriedale and I tried spinning some thicker yarn.

The singles are about a DK weight, it's much thicker than I usually spin, but by the end, I was getting pretty consistent results. Since I use the Andean Plying method, my most even bits are plied against my most inconsistent bits so the overall effect doesn’t look so great, but I can live with that.

When plied, I got something around a worsted or a little thicker weight. Actually, fresh off the spindle, it was more of a chunky or bulky weight, there was a lot of loft, but having washed and hung the yarn, I’ve still kept a bit of loft, but the yarn is closer to worsted in weight. I still love the finer weight yarns I’ve spun, but it’s good to practice spinning a bit thicker.

As for the spindle, it’s working beautifully. A couple people asked if I had noticed a wobble or any other problems, and I have not. This is a beautifully balanced spindle that gets enough momentum to keep spinning and spinning. I would guess that people who have had problems may be using a design without as much symmetry, which could throw the balance off a bit. That’s just my guess.

While at Stitches, I got myself some lovely light sage green merino/silk blend roving. I bought it from the Angora Cottage booth. The first day, they had a sale and I got this roving for a great price.

I've been spinning it up on my 0.9 oz spindle, working the singles into about a fingering/DK weight with hopes of having a light worsted when I'm done.

I am finally feeling comfortable spinning slightly thicker weight yarns. I'm not sure I could do a big chunky yarn yet, but it's getting better each time I try.

Let me tell you, though, I've been acquiring roving at a pace I can't imagine ever catching up to with my lovely little hand spindles. Janel of both Spindilicity and Cameleon Colorworks fame, sent me 3 gorgeous servings of her hand dyed roving.

I got two of the Merino/Silk dyed in colorway "Catalina".

This was the same colorway I used for this pattern.

And then there's this:

The colorway is Indian Wedding and the fiber is Merino/Tencel. I'm not sure why I've been so drawn to warm tones lately, but this color is decadent. I've never spun a Tencel blend before, so we'll have to see how that goes, but if it's anything like spinning a silk blend, I think I'll like it.

And if that's not enough roving to add to the bunch, I'm awaiting an order I just placed with Amy for some of her Almost Solid Series roving.

Since finishing my shawl, (pics coming soon) I've been spinning a lot. It could be the influx of new roving that has me excited or maybe it's seeing something I've spun worked up into something I'm proud of, but whatever it is, I just can't seem to stop.

First, I spun up some of the merino/tencel I got from Janel. The colorway is called "Indian Wedding." It beautiful, though I found it harder to spin than some of the other fibers I've used. I want to try again with a different spindle and see if that helps. The final product is so soft and the sheen is so nice, I know I'm going to want to spin it all up.

I also got my order from Spunky Eclectic. I ordered two batches of Amy's Almost Solid Series.

I. Love. This. Stuff.

It works up into a yarn that looks a lot like the Twisted Sister Monochromatic Variegated yarns.

I got myself a batch of Corriedale in Sunflower.

And worked it up into a big ol' skein. My new spindle has allowed me to make much larger quantities of yarn in a go. Why on earth I chose yellow, I don't know. I certainly can't wear that color alone and the other colors I have don't really go with it, but it makes me so happy to look at it. Don't get me wrong, I think yellow is an amazing color, I'm just not so sure it's a logic choice for me.

I also bought myself a batch of Merino in colorway, Red Maple. I think the color is really more like Plum. It's got a warm red undertone, but it's a pretty deep purple overall.

I'm spinning this much finer than the yellow, which is between a sport and worsted weight. This is going to be more like a sock weight, once plied.

From some of the sweet comments I've been getting, I am starting to think that we might need a "Knit Your Handspun Along," because there are a lot of you who don't seem to ever do anything with the yarn you create. Julia suggested that to me a while ago, so I can't take any credit for the idea, but I'd love to know what folks think.

All the notes after the bump

I can't quite decide what my the PPO portion of my medical insurance is referring to. I thought it was shorthand for "the world is your medical oyster" but I'm finding myself a tad frustrated today. The short story is that I need to get some inoculations so I can take a business trip to India in July, which is a very cool opportunity but is involving a lot of effort I hadn't originally considered. I think I've sorted most of the confusion out in what appears to be the first instance of my insurance company being more helpful than the doctor's office. Who knew? Anyway, I have two sore upper arms and a yellow card detailing my immunities to some rather icky viruses. There was also a bit of time to knit on Leo's sleeves.

I will still need some boosters and a tetanus shot, as well as a few prescriptions, but I've got the stuff that needed a lot of lead time out of the way.

Working on Leo's sweater, I've given myself little leeway to do much else. Obviously, I knit Gir but there really hasn't been much else. I occasionally pick up my spindle which has some lovely alpaca on it.

It's not that I'm not enjoying spinning it, it's just that I really want to crank through Leo's sweater and I cannot spin and knit at the same time. But, imagine if I could...oh my own vision of Valhalla.

Knitting miles of ribbing does give me ample time to consider what comes next. I'll definitely be working on the clown hat, but what should I do in India. July = monsoon season in the area. Temperatures, apparently, can average around 120 degrees though I'm told it's quite a bit cooler where we'll be. Even so, I'm thinking small, portable, and able to be worked on mindlessly. All signs point to socks. I'm not a huge sock knitter, but I am feeling that 2 socks on 2 circs will prevent second sock syndrome AND be more likely to survive a trip through security and customs without a lot of explanation. I like working on DPNs, but having a preference for metal to wood means that's probably a bad idea.

So last night I ripped out a partially knit, now abandoned project that was started with some Socks that Rock in colorway, Carbon. It needed a bath and hanging to get the kinky bits out but now looks as good as new.

I also have some solid shades of koigu around and plenty of self patterning sock yarn, all of which will only take up a small amount of space in my luggage but which should easily entertain me for my 24 hour long commutes to and from India as well as the small amount of down time I'll have during the trip.

I think it's been 5 years now, maybe 4, my memory is not so good, but it is time. We've had a good run, going many fun places together, but let's be honest, we're both more worn than when we met and my needs are simply greater than you can accommodate.

This is the conversation I had with my old Klimt purse.

You know, I still really love the design and its small size always kept me from carrying too much stuff, but it could never quite accommodate my cell phone, wallet AND the digital camera, along with things like keys and such that are purse mainstays. I think, if the image weren't fading, I'd carry this purse forever. It was a gift from my mom, several years ago, and it's gone with me just about everywhere. I am not a purse floozy. Occasionally I'll carry something different when I'm going out for an evening, but in general, I'm a one purse kind of girl.

But yesterday, a package arrived from my mom. She has graced me with a brand new Klimt purse, which is bigger and even more lovely than the last.

Gorgeous, no? It's a deep chocolate brown and nearly twice as big as my old purse. They are both Icon purses and I can say, with some authority, that they are very well made. Despite the fact that I have carried my old purse for years and stuffed it full on many occasions, it only showed wear at corners, the main image is still perfect, and the lining has never so much as considered ripping. The new purse has a lovely assortment of pockets and pouches and even came with this matching key chain.

It has taken me all of 5 minutes to move everything out of the old purse into the new one and it feels like moving from a studio apartment into a 3 bedroom house; there's just so much extra space. Yay!

In crafty news, the sleeves on Leo's sweater are nearly done with only about 30 more rows left, I hope to have pictures soon. For now, here's a peek at some of that pink roving that Lynn sent me, which I've been spinning on my Kundert spindle.

A certain someone gave me a wonderful little book recently on spinning.

This is a book one can read in a day but I have a feeling I'll be reading it a few times more, to really absorb what's inside. There are two techniques in particular that I've been meaning to try but haven't. The first, is the spinning of the spindle up or down one's thigh. It's not a particularly hard or scary prospect, I just never bothered trying.

Well, I'm here to tell you that if you feel hampered and slowed by spindle spinning, this is the way to go. I haven't spun much because I've been frustrated that I can't get as much spin as I can draft before the spindle hits the floor. Instead, I would spin, draft, spin again to get enough twist in my yarn. That bores me. It's probably why I find plying a bit of a bore too. It's a lot of spinning the spindle, but not much else.

Launching the spindle off my thigh, though, allows me to get more spin than a flick of the wrist has ever afforded me. I have had to get my bearings, though. Too much spin and the spindle goes a bit out of control, too little and the spindle goes off balance. But, like Goldilocks, I think I've found the right method for my little 0.9 ounce Golding.

This leads me to the second technique I've wanted to try; this one for an entirely different reason. Since starting the whole spinning endeavor, I've been using a standard Andean ply which gives me a nice little two ply yarn. This has worked great and since I prefer a rather fine weight yarn and I'm not a huge fan of singles, I get most of what I need out of this method. However, I'd always wondered if I couldn't just use the same method to ply the two ply against itself. I'd been meaning to try, but never had, because I worried that with all the time spent spinning my singles and plying them, I might bungle the whole thing and be left with garbage.

Well, take a gander:

It's a four ply, approximately worsted weight yarn, spun with some of my Almost Solid samples from Spunky Eclectic. If you are wondering, that colorway is "Redwood."

The technique is outlined in the book and it gave me the confidence to proceed with gusto.

This probably won't replace my usual two ply yarn, but it's a nice change. The four plies means that small inconsistencies in spinning, don't really show and the texture is delightful.

As a side note, I've been plying my hair for years. I used to wind my hair in the same way and then throw it into a bun which produced the most gorgeous woven effect.
If you have very long hair, you might want to give it a try. Put your hair into a ponytail, separate into 4 even sections. Take two adjacent sections, twist both in one direction and around each other in the other direction. Make sure you twist them around each other much more than you twist them individually so you have an over twisted ply. Secure with a small elastic. Repeat with the other two sections making sure to match the twists so they are both going in the same direction. Secure with a small elastic. Now twist the two plies together, remove both small elastics and replace with a single elastic over all the ends. Twist into a coil around the base of the ponytail and secure with a few bobby pins. You won’t need many because all the plies hold themselves in place so the bobby pins are more to secure the shape of the bun.

Panda wants to know when this turned into a beauty advice column.

Who knew moving to Portland would garner me so many comments? It's almost frightening how many people love the city and how few bad things people have to say about the area (rain and you can't pump your own gas, I think I can live with both).
There are so many of you I need to write back to. I can't believe how many great suggestions you've sent and warm welcomes you've offered. I'm really looking forward to moving.
I don't arrive in Oregon until the end of August, and in the mean time, I hope to be able to see all my LA friends, so I can say goodbye.

But enough of that, take a look at my yummy pygora yarn.

Here it is almost completely spun up. The kit comes with half an ounce (about 14 grams) of each fiber, so that's just enough to fill up one of my smaller spindles.

I simply loved spinning this stuff. I don't know enough about the properties of various fibers to say why, I just know that whatever it is, I'm able to spin it up superfine, balanced, soft and with a bit of loft.

I've included a dime for scale. The yarn is a two ply and check this out...

Balance, baby!

This hasn't been washed yet, it's right off the spindle. I have just shy of 54 yards (49 meters) of yarn here. Since pygora is aplenty in Portland, I plan to get more soon.

I've now started spinning some of the Yak fiber and it's not going quite as well. It's more poofy and fluffy and I don't quite have the best technique for managing that sort of fiber. It's gotten better as I've worked with it, but compared to the pygora, it's pretty crude looking.

In a little while, I'm off to Blogher, then a visit with a friend in San Francisco, then back home to help Leo pack up the truck. It's quite a weekend, indeed.

It has been a whirlwind week at Chez MOW. We've fit more of just about everything into these 7 days than I usually fit into a month. I love it. It's a fiber fueled binge and the neighbors are ready to call the authorities.

I won't say "the highlight of the week" because I think it's all been fun in a myriad of ways, but one of the best photographically documented events has been our trip to the Santa Monica Fiber Festival. Now, many of we yarnly types think of "fiber" as being roving and fleece and perhaps some handspun, and, boy oh boy, the best of that was available. But this fiber festival featured fabrics, beads, buttons, and antique goodness all around. Sure, there were some kittens and koy* but for every bit of questionably kitsch, there’s a great deal more of wallet emptying temptation.

The organizers (no fools were they) knew what they were doing and placed some baby alpacas at the entrance.

I'm not particularly gaga over livestock but these guys are pretty darn cute. Julia and I then went in for a quick first pass and some lunch.

A little side story, because I know she won't tell you herself. As we were eating our french fries..er...I mean...organic rolled oats, we chatted away at the small area set aside for such goings on. As we prattled on about what we wanted to see, what we planned to buy and which wheels we hoped to spin on, from behind me, came the sweetest "excuse me." A woman was trying to get Julia's attention. "Excuse me." She said, one more time "Are you a model?" As Julia decided if she could hug the woman while simultaneous spitting her food out and laughing, the woman persisted. "Don't you model knitwear?" Now, of course, I think Julia is plenty lovely enough to model, but one can't help but admire a complement like that. Further discussion revealed that the woman had seen Julia's various knitwear designs online, and presumed her role as "model" was paid and as opposed to practical.

After our highly nutritious lunch, we began our official trek through the festival. I knew my little shawl would be there, and we found it in no time. Despite knowing full well it’d be on display, I couldn’t help but be pleased beyond reason to see her there.

She stood among some of the most breath taking pieces. The photos submitted to Spindlicity just didn't do them justice.

After that, it was two circuits of the vendors and then a long break to spin, gab and spin some more. If this were a night on the town, at this point in the story, Julia and I would be crawling into Denny's at 4AM, makeup streaming down our faces, nylons ripped and at least one high heel broken. We were just about ready to pass out, but we couldn't bring ourselves to stop. We kept running into people we knew and things to see. We knew we were doomed when we finally found Miss Andrea walking around with her sister. So pulling out one of my purchases, a decadent 2 ounces of Merino and Silk roving, I decided to start spinning.

See Marnie.
See Marnie spin.
Spin, Marnie, spin!

And let me tell you, I didn't stop until yesterday morning. This stuff spun like it didn't even need me there. The results? 72 yards of 2 ply yarn on my brand new niddy noddy. Did I mention I bought a niddy noddy? No? Well I did and I’m smitten.

The yarn is about a DK to a light worsted weight and spun on my 1.9 ounce Golding Celtic Ring. And if the color and fiber composition weren't yummy enough, how's this for a little balance?

That is right off the niddy noddy. This yarn hasn't seen water yet. I'm so very proud.

As you can see, it's fairly loosly spun which I find easier to keep balanced. It was hard not to keep this yarn as singles because they looked so beautiful, but I knew I'd be unlikely to knit with singles, and I want to make sure I actually use this handspun

Oh and while I was at the festival, I may have also tried myself a wheel. And it just so happens that I love it and that it maches my new niddy noddy. I was thinking I might get myself the entry level model for Christmas, but more and more I'm thinking that what I want to do is save up for the super fabby model instead. As Julia says, in an entirely believable and reasonable sounding manner "If you get the good one, you won't need to upgrade later, then you'll only need one wheel ever."

You heard it here first, folks.That's my plan; one wheel, monogomous relationship for life. No really, I mean it.

*This will make more sense if Julia posts some of her aquisitions.

I'm home in Portland with both a feeling of elation to be back with my sweet Leo and Little Miss Panda, but also a sadness that the trek is over and Julia has gone back home. I have so much to tell you about, but I’ll try to keep from making this post too long. It was an amazing trip; one I'll look back on as being among the most memorable, but I'm exhausted. Like all of the past few weeks, we've packed as much into as little time as our little psyches could handle and it'll be days before the effects wear off.

The trip started with an easy jaunt to Santa Barbara from Los Angeles. We stayed at a place owned by a friend of Julia's. This allowed us the opportunity to stop by Village Spinning and Weaving in Solvang, CA.

While there, we availed ourselves our their various wheels, including Ashfords, Majacrafts, Louets and a Windwheel. When I left the shop, I thought I was happy with the Ashford Kiwi. That's definitely not what I expected, but it was a lovely little thing, easy to use, and it felt fine.

As we embarked on the next leg of our trip, we decided that we'd see if we could try a Schacht Matchless at Carolina Homespun in San Francisco. We figured that with the $600 price difference, the Matchless would have to be pretty darn wonderful to sway us.

I. Love. This. Wheel.

DAMMIT!

After spending hours at Carolina Homespun, spinning until we had to concede to the road trip agenda (and our rapidly waning blood sugar), we made our way to lunch and then back on the road. It was noon, and we were going to drive to the Sequoia National Forest, a mere 38 miles from San Francisco.

Five hours later, several wrong turns, some swearing at the atlas and not a Sequoia in sight, we were in stop and go traffic on the Golden Gate Bridge. In case the impact of that isn't entirely clear, that's a 5 hour detour to get us back to where we started, without actually seeing what we had hoped to see.

The sun was setting and the question became: Do we drive as far as we can at night, missing a good deal of the redwoods but still trying to get to Crater Lake the next day? Or do we drive a more reasonable distance, enjoy all the of the redwoods and skip Crater Lake?

We decided to drive as far as we could without overshooting the redwoods. There is no anxiety quite like that feeling that you've made a horribly bad decision. As we wound through the dark roads at night, hour upon hour passing, we calculated our optimal stopping point. Finally, having passed up most obvious points of civilization, we found ourselves in a quaint little area...where every light in town was turned off. The towns were silent and the motels could have as easily been abandoned, for all the life we could detect. Beam me up Scottie! I see no life here.

As the crew (all two of us) grew ever more punchy and concerned, we wound down one sleepy town's main street after another, until we found our oasis. Motel Ravenwood was open. As unlikely as it was, the owner just happened to be awake, awaiting another guest and he just happened to have an open room. We could have cried with happiness. Instead, we snatched the keys, paid our rate and made a bee line for the warmth of our beds.

The next day we awoke refreshed and ready to complete the last day of our journey. The redwoods are everything we hoped they'd be. Following the 101 up the coast, we stopped for a walk on the brisk sandy beach.

Doesn't Julia's sweatshirt look like it belongs on this beach?

My little spindle even joined us on the walk.

As we left the redwoods and headed to Crater Lake, I had a little twinge of excitement when I realized I had finally hit my new home state. If you are wondering, it's beautiful and Crater Lake is no exception.

We stopped at each little vista point and the little spindle joined in the oohing and ahhing. The atmospheric haze made the lake look dreamy and almost unreal. The spindle particularly enjoyed seeing the chipmunks. None of them broke into song.

Even the firemen were a delight to look at.

All said, it was an amazing trip. I’m still recovering, but I’m so glad I had the chance to do it. Portland is wonderful, and being back with my sweeties, is as grand as I hoped.

I should have more pictures up soon, and I feel pretty sure that Julia will have some stories to regale you with as well.

While I wait for my spinning wheel, I have been passing the time on my non-public knitting projects and my spindle spinning. I'm pleased to say that my tencel/merino blend yarn turned out every bit as lovely as I hoped.

Here it is looking rather unassuming on top of my laundry hamper.

It's about a sport weight, two ply, spun on my 0.9 ounce Golding Tsunami

It's fairly balanced, with only a single twist in it after removing it from my niddy noddy.
But check out how much better she looks basking in a little ray of sunshine.

I actually had the skein on my desk and I had already downloaded a bunch of pictures I had taken earlier. I saw the way the sun glinted off the yarn and just had to take this second picture.

And because she makes my heart melt, here's a little picture of Panda napping near me while I work.

It doesn't get much cuter than that.

So after my internet session expired in Frankfurt, I decided I needed to up the dork factor while I passed the time.

Let's be honest, it's pretty darn dorky to be blogging, taking pictures of yourself blogging and listening to .wav files of your boyfriend and doggy back home.

But why not crank out the ol' ipod and listen to science podcasts while spinning on a drop spindle? Short of bringing along a TRS-80 and a butter churn, there are few things I could have done that would have been less cool.

Sorry guys, hands off, this girl is taken! When it started to get too crowded to comfortably spin, I reverted to knitting and listening to the Unger Report.

Finally, 1:45 rolled around and I boarded my flight to Mumbai. Since I was already 17 hours into my 22 hour travel itinerary, I wasn't expecting much of note for the last 5 hours. The plane was definitely rockin' the ol' school business class, but it was roomy and they kept us well fed, so who am I to complain, but I did find one things particularly blog worthy.

Do you see that woman's tray? Note that we are in business class, which means that anytime other than those when the plane is actively taking off or landing there are folks pushing free booze your way. And if, perchance, you happen to feel a thirst coming on during the 5 minutes that the beverage cart isn't at your side, any of the flight staff will gladly hand deliver the liquor of your choice. However, this woman must have feared they'd run out before they reached her again. She has not one, but TWO glasses of white wine and a glass of cognac on her tray. I'm not sure what the glass of water is doing there. Maybe she thought it was vodka.

I passed out for a fitful 3 hours of sleep after the meal and woke up in time for the next meal and a little tea. Now I'm in my temporary hotel room for a couple hours before heading back to the Mumbai airport to fly to my final destination.

The room is nice, though for 5 hours, probably more room than I need. Heck, I never thought I'd feel this way, but if the Mumbai airport had those chest of drawer style sleeping quarters that they have in Japan, I'd have been perfectly content with that. But hey, I’ll enjoy it while I’m here. Wanna see a shot of the pool from my room?

Don't you think that would make a banging night club? Did I just say "banging night club"?

Man, I need some sleep. I'm almost out of internet time, so I'll sign off for now. Presuming my hotel near the office has internet connection, I'll be posting more soon.

I miss El Matchador but I'm rekindling my love for my beautiful little spindles while I'm here in India.

I've noticed that there is a wave of knitters taking up spinning lately and so I have a couple of simple tutorials I plan to post while I'm here, to help the newbie. I'm sure these are "well duh!" items for most people but they have been useful for me so perhaps they will be useful to others.

Today's tutorial will be on pre-drafting fibers that are being a bit stubborn. If you don't know how to pre-draft yet, there are a couple videos here. The process involves separating your roving into strips then gently tugging the fibers, lengthwise, to loosen them up.

I'm spinning some pygora right now, on my 0.9 ounce Golding spindle. The pygora is prepared as a pencil roving, meaning you do not need to separate the roving into separate strips as it's already thin enough.

Pygora spins up beautifully when properly pre-drafted

However, this particular batch has some areas that are a wee bit hard to pre-draft. I think areas have matted ever so slightly in transport, making them impossible to pre-draft the normal way. The solution is as follows.

Break off a length of roving to your liking. I prefer a couple feet of roving, many other people prefer a shorter, more manageable length. Do what you like best.

Attempt to pre-draft as you normally would.

Excuse the awkward photo, I only have 2 hands and no tripod. Imagine I was trying to do that with both hands.

To loosen the fibers, begin stretching the roving side to sides. Gently part the fibers, starting at one end and working up the length of the roving.

When you hit the matted area, spend extra time carefully releasing the fibers. Remember, you don't want to break any of the fibers, just loosen them up.

When you have worked the entire length of the roving, you have something that looks a little like this.

I then like to tug the roving, very gently, lengthwise. This not only makes it a little easier to handle, but it allows you to pre-draft it a little more.

Again, this should really show me doing this with two hands.

When you are all done, you can wind it around your distaff (if you have one) or, as I prefer to do, make a little bracelet out of the fiber, by winding it around your hand.

The finished roving looks like this:

Now just spin spin spin.

Next tutorial will be on achieving a balanced two ply on your spindle.

I've been spinning a little bit here in India and it got me thinking about creating a balanced ply. I've had pretty good success doing this on a spindle and I thought I'd share the method I like to use.

I like to think that my spindle has seen more sights than most.

Once you've spun your singles, you are ready to ply. I like to use the andean plying method but this works just as well from two center pull balls or from two ends of the same center pull ball.

Begin to ply your singles until you are ready to wind them onto the spindle.

Here's a two ply, but how do I know if it's balanced?

Holding both ends of the plied section in place, bring your two hands together and watch the way the yarn reacts. Pay close attention, you need to note which way the yarn twists, if it twist at all.

The yarn may twist around itself clockwise

Or it may twist counter-clockwise

If the yarn twists back on itself, you will need to drop your spindle and twist it in the SAME DIRECTION as the yarn twisted around itself.

This is the key. Note how many times it twisted back on itself and use that as a gauge for how much you will need to correct it. After attempting to correct the twist, do the same test again. Your goal is to have the yarn hang straight down, no matter how close you bring your hands together. The results should look like this.

It may take a little while, but with patience you will achieve this result.

After a couple of sections, you will begin to get a feel for just how long you need to let the spindle spin to get a balanced yarn. At that point, you will not need to check each section before winding on to the spindle. Instead, you can do spot checks occasionally as you ply the remaining yarn.

That little extra effort yields beautifully balanced yarn.

66 yards of perfectly plied A Type Pygora lace weight yarn.

While in India, I spun the aptly named Indian Wedding fiber I got from Janel.

The first time I spun this fiber, I think I was using a death grip of some sort because I recall having trouble drafting the fibers. This time, no such issues. It was pure delight to spin. I think the colorway is now discontinued not currently in stock but available by request. I'll have to think of something small and special to knit with what I have. As you can see, this is a fiber that loves the camera.

Here it is all plied up, using the always reliable Andean Plying method, to produce a soft 2-ply yarn. The results are about a DK weight or a touch lighter.

Here it is. in skein form, lounging about.

And what's that I see?

Ahhh, soft enough for a baby girl.

What can I say, I'm a weak weak woman. With all the gorgeous luxury fibers I've been getting, and my poor results with them on both a drop spindle and the wheel, I thought it was time that I give into the siren call of the supported spindle.

I ordered myself a Spindolyn which I had first seen in action while shooting this episode of Knitty Gritty with the magnificent Shannon Okey. Of course, as soon as it came in, I wanted to play with it, but decided to be a good doobie and at least wait until my work day was over. The days are long enough that I had just enough time to snap some progress pics before the sun was completely gone for the day. Here is

Spindolyn nestled in a clump of flowers in my back yard

It's probably not a fair to make an assessment of the Spindolyn at this point since I've used for all of, maybe, 2 hours, but this in the internet and lack of authority on a subject has never stopped anyone from waxing unintelligibly before. What's to stop me now? Of course, when I have a new opinion in a few months, all of this will be moot, but here's a virgin's assessment of the Spindolyn.

Why I chose the Spindolyn

Firstly, for the price, it definitely seemed worth the risk. At $26, the Spindolyn is cheaper than many spindles of a similar size or smaller.

A couple full frontal shots.

There are several types of supported spindle on the market including the Navajo and Tahkli. Since both have long histories, I'm guessing they are excellent tools and well tested. However, the Navajo seemed a bit large and unwieldy and definitely lacked the sort of portability I'd hope for and the Tahkli seemed so small that you would only be able to work super fine lace weight in order to get any sort of yardage on the spindle. The Spindolyn seemed like a nice middle ground and a tool that would be easier to learn on since you could use both hands to draft.

Taking her for a spin

The movie on the Spindolyn homepage seemed fairly straight forward so I got right to spinning. At first, it seemed nearly impossible to get the spindle to spin for any length of time and since all the cuts in the demo movie were relatively short, I started to wonder if this is just the nature of the beast. With a bit more time, I was able to get a longer spin. Excessive predrafting helps a lot. After I got the hang of it, it seemed to go fairly well. I'm not dancing on the tree tops with delight at my progress, but do feel I'm getting the hang of it.

And my first little skein

Comparison to a drop spindle

In general, I don't feel I got as long or as effective a spin as I get on a drop spindle. This isn't necessarily a problem since you don't have that same risk of the fiber breaking from lack of twist, but it's definitely something I noticed. I love spindles and the processes, but not so much that I want it to take any longer than it has to. I'm about efficiency.

The shaft onto which you store your fresh spun is short compared to my drop spindles so if feels like I have to make a significantly smaller cop than I normally do. I was usually able to get close to 50 yards of 2 ply out of a single cop. With the Spindolyn, I think I'll have to settle for less.

In this same vein, being limited to the spinning the distance from my knees to as far as my arms can reach overhead, before having to wind the yarn on, also feels limited. I played with placing the Spindolyn between my feet which was awkward when just spinning close to the floor but does seem to give me more spinning time before winding on, which I like. I don't think this is a negative of the Spindolyn, more an issue with supported spindles in genera